Vysegrad, the rock above the river with its dark outline of slender spires, is an inseparable part of the Prague skyline. The traditions of this mysterious site are bound up with the legends whose literary treatment was worked up Alois Jirasek from the ancient chronicles into his work "The Old Czech Legends". These tell of the Princess Libuse, who foresaw the future glory of Prague from her seat at Vysegrad, and who sent a delegation to seek out Premysl the Ploughman, founder of the ruling dynasty, as well as of brave Bivoj, the wondrous horse Semik and its leap from Vysehrad rock, and of the War of the Maidens. The legends of Vy_ehrad, explaining and celebrating the origins and early years of the Premyslid state, have made this one of the Czech nation's most distinguished sites. A fortified settlement appeared at Vysehrad sometime during the 10th century. The first definitive evidence for the existence of the Vysehrad hillfort are Premyslid denarii of Boleslav II, minted there in the mid-10th century.

The reign of Vratislav II (1061-1092) opened a new chapter in the history of Vysehrad. This prince, named King of Bohemia and Poland in 1085, chose Vysehrad as his royal residence, strengthening its fortifications and building a permanent palace more suited to the aspirations of the Bohemian rulers. He founded a new minster, the Basilica of St Lawrence, and what is probably Prague's earliest Romanesque rotunda, that of St Martin and The Vysehrad Chapter. The Chapter was excluded from the authority of the Bishop of Prague, and was subject directly to the Pope. It benefited from the great attention paid to it by many Bohemian sovereigns, and obtained a range of political and economic privileges. Vratislav_s successor, Sobìslav I (1125-1140), also took an interest in the artistic decoration of the churches, and in the social prestige of Vysehrad. The coronation of Vladislav in 1140 brought the precedence of this seat over Prague Castle to an end.

Vysehrad regained its importance under Charles IV. According to the coronation rite, the procession of the new sovereign began here as an expression of respect for the forefather of the dynasty to which Charles IV belonged on his mother's side. Charles IV converted Vysehrad into a stone fortress, joining it to the ramparts of the New Town of Prague, built a Gothic Royal Palace, the Capitular church, and the great new Spicka (Peak) Gate. During the Hussite Wars, however, the whole royal precinct was destroyed. From the mid-17th century onwards Vysehrad became a Baroque fortress with its own military garrison, and thenceforth remained under military jurisdiction until 1911 when it was made over to the city; it has been preserved almost unchanged to the present day, with the exception of the burning down of the armoury on the site of what is now a park containing sculptures by Myslbek.

The present appearance of Vysehrad was largely determined in the second half of the 19th century. It was led by a number of nationalist-oriented provosts; of these, the most important in terms of the development of Vysehrad were Vaclav Stulc and Mikulash Karlach, who decisively determined the present appearance of Vysehrad and its major landmark, the neo-Gothic : Church of SS Peter & Paul was rebuilt in the Neo-Gothic style to a design by J. Mocker and F. Mikes that respected the disposition of Charles IV's Gothic design. It was then that the idea arose of founding a national cemetery at Vy_ehrad on the site of the parish graveyard. It took many years to build the Pantheon, and the present Vysehrad Cemetery is a unique artistic whole, harmoniously fitting its surroundings. At the same time it is also a unique gallery of funerary sculpture, and an expression of Czech artistic development from the second half of the l9th century to the present day. It is the final resting place of over 600 personalities from the fields of culture and intellectual endeavour.

At the close of the 20th century, Vysehrad retains its atmosphere of magic and mystery. It offers visitors one of the most beautiful urban panoramas of bygone Europe, quiet parks for relaxation, and true cultural and spiritual inspiration.